Weddings
Two hearts, one frame
In twenty years the dress is in a box. This is what you’ll still open. Engagement films, ceremony coverage and couple portraits — shot the way a film is shot, not the way a checklist is worked through. I'm Yedukrishna Suresh, film-trained, shooting weddings across the UAE and India.
One roll, one wedding
This is what an edit actually looks like before you ever see it — the whole strip, in order, with the keepers ringed in grease pencil. Most photographers only show you the two circled frames. Here is everything around them.
Swipe a strip · ringed = the ones that made the gallery
The engagement film
Engagement film · play
Varsha & Surya
An engagement film cut to feel like the night did — the dance floor, the laughter, the in-between moments. Films and photography for weddings that deserve a cinema treatment.
Rithu & Kevin — the film, and the frames
A bridal-portrait set at golden hour, and the wedding film cut from the day.
Rithu & Kevin · the film
Golden-hour bridal portraits
Shot before the light went — a black stardust saree against the greens, then the full film of the day.
Frames from the weddings
Ceremony, candid and couple work — shot close to the emotion and out of the way of it.
Walk through them
Keep scrolling — the scroll is the dolly. Frames drift past on both sides and fade as they pass the lens.
Scroll · the camera is yours
The white wedding — garden & lace
A full day in white — the getting-ready light, the bougainvillea, the cake, the sparkler exit. Tap any frame to see it full.
The night before — lights & laughter
Sangeet energy under fairy lights, and the quieter portraits the night gives you when the dance floor rests.
The ceremony — rituals in full colour
A traditional South Indian wedding under a canopy of pink and jasmine — the rituals, the processions, the blessings, shot close and unposed.
Jessica & Leon — the church wedding
Vows, the signing, the bridal party and the details — a full church wedding, shot start to finish.
What a wedding usually covers
Every wedding is quoted as one all-in number covering the shoot and the edit — no hidden extras.
Both, from one eye
I shoot the stills and the film myself, so the gallery and the edit look like they belong to the same day — rather than to two different teams.
Indian, expat, mixed
Mehndi, haldi, sangeet, ceremony and reception — as well as expat, multicultural and destination weddings.
Same-day edits
A short cut played at the reception, while the day is still happening. Worth it more often than people expect.
Pre-wedding & engagement
Separate pre-wedding and engagement shoots, on location or at the venue.
Second shooter
For larger weddings, a second shooter so nothing in a parallel room goes unrecorded.
Travel
Based between Dubai and Bangalore, and travelling for destination weddings.
Your day, told like a film
Dates book out fast in season. Send your date and venue and I'll tell you straight away whether I'm free.
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